Simple & Semitic
1-Day (4+ hour) Workshop Available through June 1, 2022
Description
Come explore the beauty of the Hebrew Alef-bet! This one-day workshop emphasizes the calligraphic aspects of Hebrew, and how it is both similar to and different from English, a distant cousin. Participants will learn the 27 beautiful and simply-crafted letterforms of the Hebrew alphabet, along with variations to create a style that is uniquely their own. No knowledge of Hebrew is necessary.
Supplies
PAPER
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- I will provide practice sheets with sample letters, strokes, or exercises on them. These handouts are pre-ruled for a letter height of 4-5 pen widths, and will pair well with the 3.8 mm Parallel Pen (see outline 2a below). You can write directly on the handouts (you will have to print them out, preferably on bleed-proof copier paper) or work on separate paper.
- You may want to have other paper on hand to “graduate” to, and I recommend pencil ruling it before class begins with guidelines based on your preferred pen nib. Make your GUIDES AND THE SPACE BETWEEN LINES 4-5 pen widths. If you are new to this and need some hand-holding, please contact me (see below).
- A good pad or ream, either COMPLETELY blank, or with a square grid. Some suggestions:
- Borden and Riley “Paris Paper for Pens” #234, 11×17 or 14 x 17.
- Calligraphy practice pads or bond layout pads
- Grid paper or calligraphy pads with grids (Avoid paper with slanted or diagonal lines, as these are designed for Italic calligraphy, not Hebrew!)
- Bleed-proof copier paper (for example: Staples bright white 28)
PENS
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- My top recommendation to start is a Pilot Parallel Pen, size 3.8 (green cap). Be sure to get some refill cartridges! The handouts I will give are ideal with this size pen or something similar in size (3-4 mm).
- Bring other pens you like working with, such as Brause, Mitchell, Speedball, even crisp new calligraphy markers will work.
INK/PAINT
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- If you are using a Parallel Pen (see above), you will not need special ink or paint. If you use a dip pen, you will.
- INK: Some good practice ink is enough. Examples include: Higgins Eternal, Higgins Sepia, Walnut ink, Sumi ink, etc.
- PAINT: If you like working with gouache or acrylics or watercolors, be sure to have a water can, mixing palette, mixing brushes and some paper towels at hand.
DRAFTING and NOTE-TAKING MATERIALS
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- Metal ruler or t-square big enough to rule lines across the paper you have (please pre-rule a bunch beforehand).
- Pencil (#2 or harder), eraser, notepad/notebook
Click on photo to visit biography page
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic