In the Glow of Gouache
1-Day (4+ hour) Workshop Available through June 1, 2022
All Skill Levels Welcome
Lettering • Painting
Description
Egg glair will add versatility to the beauty and richness of gouache on paper. Glair adds additional adhesion to gouache, and allows layering of colors as you letter or paint, as well as wear-resistance for book artists. You can successfully use the tiniest nib or the gutsy-est brush, and everything in between. You will paint and draw with gouache and apply color to a design of your choice. Open to all makers and artists interested in the possibilities of gouache on paper.
Supplies
• Ruler
• 2H or 3H pencil and plastic eraser
• water jars – one large and two small ones (recycled is great)
• two pipettes (plastic is fine)
• palette for gouache (Dr. Martin’s plastic palette has deep 30 wells, that work well with pen and brush), but use what you have Inexpensive (plastic).
• small mixing brushes (colored plastic handles, made for kids are perfect)
• fine mist spray bottle (recycled and clean is great)
• pen holder(s) and nibs – a selection of your favorite broad and pointed ones
• nylon brushes – painted and broad – for use with gouache: (sets from art/hobby stores are fine, and are inexpensive, and a wedge or “angle” brush 3/8” or smaller a few tubes of good quality gouache – not “Acryl Gouache”, please
• interesting mark-making tools, twigs, etc.
• papers you use in your work, with fluid medium, that you would like to try
(Arches Text Wove, MBM, watercolor sheets. sized handmade papers, etc.
Note: well sized papers will resist absorption and give you best results.
To TEST: transfer a bit of saliva with your fingertip onto the sheet, and it should stay a fluid “pillow”, drying slowly (if your drop of saliva sinks in quickly, the paper is not well enough sized)
• A simple design to paint (letters or …?), including fine and broader areas to paint, lightly drawn onto good paper to make a graphite sheet to transfer your design, you can use a sheet of layout/sketch/marker paper, rubbing a 2 or HB pencil, in an area large enough to fit and transfer your design (rub the graphite well with a paper towel, to take off loose graphite and leave enough to transfer onto your good paper)
• To prepare glair before class you will need:
• an egg, white separated from the yolk,
• glass bowl (not plastic) and
• an egg beater
• an open container to store glair (a small glass container is nice), and one of the pipettes
Glair -making instructions
…will be sent and you can watch a demo online before the conference. a link will be sent to students enrolled in this Workshop.
OPTIONAL: ONLY if you have them (we may not use them in class):
• pointed or broad brushes, in dramatically different sizes
• Chinese White (tube) watercolor and/or white gouache
Click on photo to visit biography page
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic