Akim Variations and Long Compositions
1-Day (4+ hour) Workshop Available through June 1, 2022
Intermediate – Advanced
Lettering • Design
Description
‘Akim Cursive’ is a hand created by calligrapher Hans-Joachim Burgert and is said to replicate the rhythm of the human heart.
We briefly explore Burgert’s version, then move into more expressive variations using several different tools. Once students become familiar with working on the variations, we begin writing longer texts and compositions, focusing on the rhythmic patterns for which Akim is known.
We also look more closely at Burgert’s abstract compositions and create larger pieces which mimic his style.
Supplies
NOTE: All supplies listed, except a fine point Sharpie marker or ballpoint pen and some practice paper, are optional. Akim can be done with a very simple monoline tool. However, I will be showing all of these tools in my demos. And adding color. If you don’t have the time or money to order them, no worries. You can still do all the exercises.
(U.S. residents: John Neal Bookseller has most of these supplies.)
- Any type of ruling pen (e.g., Ruling Writer, Handwritmic, Dreaming Dogs, etc.)
- Any type of folded pen (e.g., Luthis, Tim’s, handmade cola pen)
- Any pointed nib and straight holder
- 1 fine point black marker like Pigma Micron in Size 01 or a Sharpie
- Small bottle of black sumi, walnut, or other ink and cups for ink (try several if you have them)
- Small bottle of distilled water (to dilute sumi if necessary)
- Fineline Applicator (completely optional)
- 30 ml jar of Dr. Martin’s or Winsor & Newton Bleedproof White or a small tube of white gouache and cup to mix
- Small bottle each of black sumi and walnut ink, plus cups for ink
- 2-3 tubes or bottles of your favorite watercolors
- One inexpensive flat (1/8″) watercolor brush (Simply Simmons is a good brand)
- One inexpensive pointed watercolor brush
- 6-well paint palette
- Metallic gold watercolor (e.g., Schmincke Horadam Gold, Daniel Smith Iridescent Gold, Finetec metallics, etc.)
- Metallic Schmincke Dry Gouache Sec or Pearl Ex Powdered Pigments (to sprinkle into wet media)
- Lots of practice paper with some tooth, preferably 11″ x 17″ or 12″ x 18″.* (Pacon Sulphite drawing paper (80lb. or 90lb.) is good because it has a bit of texture. (Available on DickBlick.com and Amazon.) Don’t use really smooth paper. A pad of Strathmore 400 Series Drawing paper is another option.)
- A few of your favorite colored pencils
- A few small sheets of your favorite nice papers to try out ink and tools. Whatever you have in your stash. One white, one color, and one black. (Suggestions: Arches Text Wove, Nideggen, Bugra, Tiziano, Arches Black Cover, Artagain Black, Papier Canal Montréal, etc.)
- Water container (for cleaning tools)
- Roll of paper towels
Click on photo to visit biography page
www.wildmandesigns.com
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic