Spontaneous Creation
2-Day (9+ hour) Workshop Available through June 1, 2022
All Skill Levels Welcome
Lettering • Design
Description
Most calligraphers learn to carefully plan and execute their designs. In this workshop, we create as we go, making design decisions on the fly, as many fine artists do. We let the art tell us what’s next. We start with an idea and a plan but remain open to change as we create the work. There is an emphasis on using letters as design elements, shapes, textures, and structural components to build a composition. Numerous exercises, instruction and demonstrations, and handouts will guide you through this process. Collage is one of the exercises.
Supplies
- At least two 11×14” sheets of Arches Text Wove or comparable (extra is nice)
- At least two 11×14” sheets cold press watercolor paper (I like Arches 140 lb.)
- 80# Strathmore 400 Drawing Pad, 11×14”
- Black calligraphy ink, such as Higgins Eternal (or comparable); Sumi ink (I like Yasutomo or Moon Palace); Quink (optional: I like Blue and Blue-Black)
- Walnut ink
- White calligraphy ink (I like Dr. Martin’s Bleedproof White and Permanent White gouache)
- A few color inks: I recommend Dr. Martin’s Tech Drawing inks (various colors, non-acrylic). Note: Dr. Martin’s Bombay waterproof India inks and/or any color inks with eye dropper top will also do, even if acrylic inks.
- Color pencils (Prismacolor are best) and/or dry pastels (a few colors) – optional, but good to have.
- Some favorite gouaches and watercolors
- Stiff and flexible pointed pens (I like Nikko G) and other favorite pens
- Ruling pen, cola pen, other unusual writing tools (optional, but recommended)
- Speedball C2 through C5 nib pens; favorite small Mitchell or Brause nibs, or comparable
- Automatic pens (1/2” to 1”) or comparable (Optional, but highly recommended)
- Favorite pointed brushes (for applying watercolor and gouache) and flat brushes (for wash and broad strokes)
- Any collage materials you have (including thin sheets of white paper, semi-transparent or not, newspaper, phone book); if possible, prepare painted papers and pages of large calligraphic marks and letters in black ink
- Any glues (if you have) and glue brushes; I like Sobo and Yes glues, as well as matte medium and Elmer’s Art Paste, but glue stick will also work
- Scissors and/ or x-acto (small cutting mat if you have one)
Optional
- 11×14″ Tracing Paper Pad (better still is Dura-Lar wet media film, 11×14” pad)
- 11×14” Stonehenge (cream) paper
- Cheap Chinese pointed brushes (optional, but nice to have)
Click on photo to visit biography page
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic