The Glittering Vine
1-Day (4+ hour) Workshop Available through June 1, 2022
All Skill Levels Welcome
Design • Drawing • Journaling
Join Heather in the study of the Glittering Vine.
Description
Gold leaf adds an opulent shimmer to your pointed pen flourished and pen drawn designs. In this class, the process of gilding is demystified as we design these Glittering Vines. The border designs are rooted in Medieval Illuminated manuscripts but take on a more whimsical flair as we draw from a variety of influences. The vines themselves can transform into ribbons or acanthus leaves as you explore the underlying structures. These beautiful borders contain pencil drawn elements, pen and ink offhand flourished florals, acanthus, and a few hidden delights to add a sense of wonder to your designs. Watercolour is suggested to bring these designs to life, but you may choose to use watercolour pencil or coloured pencil. This class is a delight to explore and will add a new dimension to your pointed pen flourishing skills. Relax and play as you design Glittering Vines.
Supplies
- Graph paper, Mechanical Pencil, Eraser
- Small Cork Backed Metal Ruler
- Ruling Pen or Pointed Pen with Zebra G nib in an inexpensive plastic straight holder
- Tracing Paper or Light Pad
(we may not use these in class but can be handy for complex work) - 23K Gold Transfer leaf and Miniatum Ink (Students may choose to use gold watercolour or gouache as a substitute for real gold)
- 2-3 pieces of 5”x7” 140 lb Hot Press watercolour paper
- McCaffery Brown, McCaffery Black or Ziller Buffalo Brown Ink
- Straight Pen holder with a medium flexible nib such as Hunt 22 or Gillott 404
- Size 0 Pointed Round Synthetic brush for applying gold size or Size 0 Taper Point Clay Shaper
- Watercolour: Any colours you want. John Neal sells a dot card of my favourite Daniel Smith watercolours which are more than enough for this class.
- Small Pointed Round Watercolour Brushes: I use sizes 0, 1 and 2
- Any optional embellishment supplies you want to add to your work. I will be using a green and blue chalk pastel, Sakura Gelly Roll Pen Clear Stardust, Gold Watercolour, Shell Gold and Swarovski Crystals.
- If you are using 23K gold leaf, a small piece of silk or velvet can be used to burnish the gold.
Heather is also teaching
Victorian Frames & Labels
Click on photo to visit biography page
www.heathervictoriaheld.com
WORKSHOP LINKS
YUKIMI ANNAND
Sequence: Journey of Experimental Calligraphy
SUZIE BERINGER
The Unconventional Pointed Pen
GEMMA BLACK
Drawing the Fibonacci Sequence
IVAN CASTRO
Basic Rudolf Koch:
Blackletter Und Neuland
ANNIE CICALE
Value Contrast: Exploring the Grey Areas
Word Meets Image on the Page
BARBARA CLOSE
Letters & Blossoms
Graphite Explorations
SUZANNE CUNNINGHAM
Beginning Copperplate Script
JUDY DETRICK
A Letter and a Rectangle
CAROL DUBOSCH
Ben Shahn Lettering
JESSIE FORA
(M) Handwritten: The Art of Tattoo Lettering
RISA GETTLER
(M) Painting Knotty Letters
Visigothic Versals
TAMER GHONEIM
Gothic Lettering Magic with Procreate
Blackletter Circles on Steroids
MIKE GOLD
Breaking the Rules
Spontaneous Creation
(M) Variations in A
HEATHER HELD
The Glittering Vine
Victorian Frames & Labels
NANCY HILLS
(M) Learning to Sketch Out Celtic Knots
THOMAS HOYER
Dynamic Textures
Ruling Pens Beyond the Rules
The Alchemist’s Magic
CARRIE IMAI
Playful Letters
(T) Mastering Italic
GINA JONAS
(M) A Meditative Calligraphy Technique
SALMAN KHATTAK
(M) Pen to Pixels
(M) Lines & Tines
MARTA MAPELLI
Expressive Pointed Italic
Pointed Brush
HEATHER MARTINEZ
(M) Learn to Sketchnote!
HOLLY MONROE
Decorated Letters
Italic Lettering - Basics & Beyond
(M) The Business of Calligraphy
(M) Lettering on Vellum
SUZANNE MOORE
In the Glow of Gouache
Page Dazzle: Patent Leaf Gilding
LORNA MULLIGAN
Loosening Up With Calligraphy & Paint
MICHELE NIDENOFF
(M) Decorative Borders w/Simple Tools
(M) Watercolor & Lettering with Masking Techniques
CORA PEARL
Monoline Lettering with a 'B' Nib
Monoline Lettering Techniques
(T) Foundation Tune-up Class
SALLY PENLEY
Sensational Sumi!
(M) Pastel Dusting Technique
(M) Pleated Scroll Book
JAN PICKETT
Creative Colour for All Occasions
Embossing with Extra Pizazz!
Letters Unlimited
ALI RICCARDO
Graffiti Writing - The New York Lesson
Rudolf Says
ROBBIE SASLOW
(M) Playing With Pens & Pencils
Round & Robust: Exploring Uncial
Simple & Semitic
LINDA SCHNEIDER
The Graceful Marker: Pointed Brush Script
Calligraphy on the Go!
CAROL MEASURES SCOTT
(M) Captivating Color in Calligraphy
MARINA SORIA
The Empty Space, Womb of Shape
JACQUELINE SULLIVAN
Cold Wax Calligraphic Abstracts
(M) Calligraphy & Mark Making with the Gel Plate
(M) Mini Book Madness
JANET TAKAHASHI
The Art of Miniature Painting & Lettering
Sketching Flowers with Watercolors & Ink
NINA TRAN
Flourishes Unraveled
ELMO VAN SLINGERLAND
Broad-edged pen: Roman Capitals
MARK VAN STONE
Versals
Versals & White Vine Decoration
JURGEN VERCAEMST
Colorful Lettering Composition
JULIE WILDMAN
Akim Variations and Long Compositions
ELEANOR WINTERS
Gothicized Italic